Mundo de Guitarra Clásica - Guitarra Clásica

The Museum of Spanish Guitar ‘Antonio de Torres’ is more than a museum space, an exhibition and information center that will allow visitors to learn in a fun and easy way primary keys of one of the most popular musical instruments around the world as is the guitar. The most played and produced in the history of world music instrument comes from the hand of its maximum precursor, the lutierAntonio Torres, considered the father of contemporary guitar. Therefore, among the objectives of this project the Culture of the City of Almería as the main driving force behind the same aims that visitors actively participate in the museum itself and, by extension, in the cultural life of the city of Almeria. Ссылка скрыта

Today is 200 birth anniversary of D. Antonio de Torres Jurado, father of the current classical guitar. Ссылка скрыта

Antonio de Torres Jurado (13 June 1817 in Almería, Andalucía – 19 November 1892) was a Spanish guitarist and luthier, and "the most important Spanish guitar maker of the 19th century." Torres guitars are divided into two periods. The first, belonging to Sevilla from 1852–1870; the second being the years 1871-1893 in Almería. The guitars Torres made were so superior to those of his contemporaries that their example changed the way guitars were built, first in Spain, and then in the rest of the world. Although they are not particularly loud by modern standards, they have a clear, balanced, firm and rounded tone that projects very well. His guitars were widely imitated and copied. Because he never signed his guitars, and only numbered those from his second epoch, many fake Torres have been made, some by well-known and expert makers. Ссылка скрыта

THE NANO GUITAR Dustin W. Carr, under the direction of Professor Harold G. Craighead, created the nano guitar in the Cornell Nanofabrication Facility in 1997. The nano guitar is about as long as one-twentieth of the diameter of a human hair, 10 micrometers or 10,000 nanometers long. The six strings are 50 nanometers wide each. The entire guitar is the size of an average red blood cell. The guitar is carved from a grain of crystalline silicon by scanning a laser over a film called a 'resist'. This technique is called Electrobeam Lithography. It can be played by tiny lasers in an atomic force microscope, and these act as the pick. The Nano Guitar is 17 octaves higher than a normal guitar. Even if its sound were amplified, it could not be detected by the human ear.

Sérgio Assad is a Brazilian guitarist, composer, and arranger who often performs with his brother, Odair Assad in the guitar duo Sérgio and Odair Assad, commonly referred to as Assad Brothers or Duo Assad. Ссылка скрыта

Up until the Second World War animal gut and silk were the materials from which guitar strings were manufactured. Albert Augustine, an instrument maker from New York, USA, was the first to produce guitar strings with nylon. According to Rose Augustine,his wife, he was unable to secure source materials due to the war restrictions and happened upon nylon line in an army surplus store in Greenwich Village. When initially approached by him the DuPont company, who manufactured the material, were unconvinced that guitarists would accept nylon's sonic characteristics. Augustine staged a blind test with company representatives from DuPont, they happened to choose nylon over gut as having the best "guitar sound". The DuPont company then supported Augustine's initiative. Augustine classical guitar strings were first commercially manufactured in 1948, in conjunction with Olinto Mari, President of E.& O. Mari/La Bella Strings at their factory in Long Island City New York. When Andrés Segovia, the great Spanish guitar virtuoso, discovered Augustine's strings he was an immediate convert.

Agustín Barrios (May 5, 1885 – August 7, 1944) was a Paraguayan virtuoso classical guitarist and composer, largely regarded as one of the greatest performers and most prolific composers for the guitar. His music remained undiscovered for over three decades after his death. Ссылка скрыта

ALWAYS BE READY You never know when your opportunity will come. Every time you play in public, you must be prepared and play your best. It may be your big break. When I was 25 I played a concert in a town in Hungary and a producer from the BBC radio happened to be there. Luckily he enjoyed the concert and booked me for the radio in London. It was an important step for me. So, the point is to always have a good repertoire ready for your concert even if you are working on many new things. Keep a programme in shape, spend a little time each day maintaining it and make sure it's a programme you can deal with and enjoy playing. David Russell.