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The Circle by Jafar Panaji
Jafar Panaji’s first ever political film, a cry for women’s rights, a winner of the Golden Lion and yet banned in Iran, The Circle feels maybe a notch less polished stylistically than Panaji’s more recent endeavours made after This is Not a Film, when Panaji achieved universal recognition as the country’s most known dissident filmmaker.
To me, The Circle is raw and not even close to the warmth of Taxi, and I yet to see his latest It Was Just an Accident, his Cannes triumph. Prepare for a slow one with this one.
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